Throughout centuries of European colonial domination, the bodies of Middle Eastern dancers, male and female, move sumptuously and seductively across the pages of Western travel journals, evoking desire and derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of an investigation into Middle Eastern dance―an investigation that extends to contemporary belly dance.
Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and personal.
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